{"title":"Film","description":"","products":[{"product_id":"time-tells","title":"Time Tells","description":"\u003cp\u003eTime Tells is a grand study of time, technology, performance, the attention economy, and comedy. Using the cinematic time-jump, \"a numerical shorthand for a fated intermission,\" to weave a narrative of chronopolitics, memoir, and cultural study, Masha Tupitsyn constructs a unique literary and visual phenomenology on the loss of time, presence, and attention in the digital age. Structured into two interlocked inquiries—Time and Acting—Time Tells focuses on the internet to talk about the ethics of presence and attention, comedy to talk about timing and the language of critique, and lying masculinity, the double, and acting to talk about performance and the reign of falsehood. Both volumes intersect to examine our inability to experience coherence and integration in the post-truth era. In the first volume, Time, Tupitsyn covers wide-ranging cultural touchstones such as the ’90s TV show Felicity, Hitchcock’s Vertigo, Luca Guadagnino’s Call Me by Your Name, Joan Didion’s The Year of Magical Thinking, Pretty Woman, Wong Kar-wai’s 2046, David Fincher’s Zodiac, Jean-Luc Godard, the Beastie Boys, Wim Wenders, the art of style, memory and music in the post-internet age, and the lost ontology of cinema. Using what Tupitsyn terms “screen-shot criticism,” Time Tells makes innovative critical thinking accessible to anyone interested in American culture today. Afterword by Felix Bernstein.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50083976085842,"sku":"AB6741","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB6741-Time-Tells-_201_c10d9d85-65f8-42c8-a591-12dc03e85240.jpg?v=1792359019"},{"product_id":"movie-of-the-decade","title":"Movie of the Decade","description":"\u003cp\u003eMovie of the Decade is a collection of movie ads that Michael Worful cut out of the St. Louis Post-Dispatch in 1989 when he was 9 years old. This zine is a love letter to movies and fandom, as well as a dedication to Worful’s father who took him to see Batman later that year.\u003c\/p\u003e \n\n\u003cp\u003eRisograph printed in a black and light gray duotone on Domtar Lynx and Earthchoice Gray 70lb uncoated text\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50083977134418,"sku":"AB7358","price":8.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7358-movie-of-the-decade-03_36e3bd90-6871-484b-a9c3-eb81f1d98fab.jpg?v=1792353849"},{"product_id":"in-past-pupils-and-smiles","title":"In Past Pupils And Smiles","description":"“In Past Pupils and Smiles” is the print rendering of Solange’s self-composed and directed final performance at the 58th International Art Exhibition of La Biennale de Venezia, in the Teatro alle Tese 2, Arsenale. The happenings of November 24th 2019 are encapsulated within this hardcover highlighting the celebratory bodily movement of interpreters.\r\n\r\nThis piece magnifies themes of protection, transformation and spiritual transcendence amid Venice’s flood depredations. Its photographic documentation transports readers through a deep dive in the birth of an idea coinciding with the unexpected obstacles of natural devastation.\r\nSolange pursues an engagement with Black speculative thought by virtue of world-making. ”In Past Pupils \u0026amp; Smiles” meditates on the interrelations between aesthetics of the Self, the body and constructions of spatiality. We construct ourselves in relation to the spaces we imagine. It is by creating immersive landscapes that the artist expounds on Black womanhood. By reaching traditions of postmodern dance, minimalism, architecture and queer\/feminist narratives; an interconnection with unrestrained presence and expression is conceived.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084049584466,"sku":"AB7151","price":45.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7151-in-past-pupils-and-smiles-1_e7210bc5-9f6c-4e4c-8f96-1a2e2003315e.jpg?v=1792357140"},{"product_id":"conversations-with-kiarostami","title":"Conversations with Kiarostami","description":"\u003cp\u003eConversations with Kiarostami collects for the first time a far ranging series of interviews with the celebrated director Abbas Kiarostami by film critic, and Iranian cinema expert, Godfrey Cheshire. Conducted in the 1990s, these in-depth conversations offer a film-by-film account of Kiarostami’s views of his artistic development from his first short “Bread and Alley” in 1970 to the 1999 feature The Wind Will Carry Us, covering his lesser known, and seldom written about, shorts from earlier in his career, along with the masterworks that made him world famous, such as the Koker Trilogy (Where Is the Friend’s House?, And Life Goes On, Through the Olive Trees), Close-Up and Taste of Cherry. The book includes a Foreword by Ahmad Kiarostami, the director’s son, as well as an introduction from Cheshire that contextualizes the interviews and discusses his relationship with the director.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084049748306,"sku":"AB6743","price":16.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB6743-Conversations-with-Kiarostami-_201_43aed0b1-bf98-4b41-abdf-e9751f6b113a.jpg?v=1792353256"},{"product_id":"the-barefoot-promise","title":"The Barefoot Promise","description":"\u003cp\u003eThe Barefoot Promise is a study on foot fetishism trough set photographs of Western films. From Hollywood Golden Age to French Nouvelle Vague, the motif of the foot reveals the hidden fantasies and gender norms conveyed by European and American filmmakers. Structured as a film itself, the book is the first printed version of the Promise of the Screen, a screening device developed by Pierre Leguillon since 2007 to look at the marginal aspects of cinema. All lobby cards and press photographs reproduced in this publication belong to the collections of the Museum of Mistakes, Brussels. The book comes with an intermission and a bonus by Louise Lawler!\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084076388690,"sku":"AB6997","price":38.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6997-the-barefoot-promise-1.jpg?v=1792345355"},{"product_id":"the-world-of-jia-zhangke","title":"The World Of Jia Zhangke","description":"\u003cp\u003eNamed 3rd best book of 2021 in Sight \u0026amp; Sound A comprehensive look at the work of Chinese filmmaker Jia Zhangke by celebrated critic Jean-Michel Frodon. Includes an extensive in-depth interview with Jia, essays on each of his films, conversations with his main collaborators, including Zhao Tao, and a selection of his own writings. Translated from the French by Sally Shafto. Foreword by Dudley Andrew. Afterword by Walter Salles. “The World of Jia Zhangke is a rarity, for it comes from a sustained encounter of one of our greatest critics with one of our greatest directors. Thankfully both are still working at full tilt.”—Dudley Andrew.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084116627794,"sku":"AB6867","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6867-the-world-of-jia-zhangke-jean-michel-frodon-1.jpg?v=1792352615"},{"product_id":"facing-blackness","title":"Facing Blackness","description":"\u003cp\u003e“In Facing Blackness, Ashley Clark traces the contours of Bamboozled, guiding readers through Lee’s intricate representation of race, politics, and popular culture. Clark moves beyond straightforward film criticism to situate the film within a complex history of blackness and American entertainment, making a powerful argument for its ongoing relevance and vitality. Thoughtful, rigorous, and witty, Facing Blackness is a thoroughly engaging analysis of this monumental film that is imperative reading for fans of Spike Lee and cinephiles more broadly.” —Racquel Gates, author of Double Negative: The Black Image and Popular Culture “The value of Facing Blackness isn’t that Clark renders the film less challenging, but that he has thought through its implications in ways few, if any, have yet attempted. In so doing, he has shown that to understand Lee’s art, one has to deal with Bamboozled. It is, as Clark puts it, ‘the central work in Lee’s canon—the house on fire to which all roads lead.’ Facing Blackness doesn’t extinguish the fire, but rather maps the roads.” —Keith Watson, Slant Magazine “Clark’s in-depth analysis of Bamboozled brilliantly validates and elucidates the importance of a forgotten cinematic treasure. This is essential reading for anyone interested in black film, black history, or America’s dark past.” —Kaleem Aftab, author of Spike Lee: That’s My Story and I’m Sticking to It Ashley Clark is a writer, critic and film programmer. He was born in London, lives in Jersey City, and works in Manhattan. Facing Blackness, initially published in 2015, is his first book. This revised second edition contains a new foreword.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084118102354,"sku":"AB6866","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6866-facing-blackness-ashley-clark-1.jpg?v=1792350375"},{"product_id":"in-the-time-of-kiarostami-writings-on-iranian-cinema","title":"In the Time of Kiarostami: Writings on Iranian Cinema","description":"\u003cp\u003e“What’s most remarkable about this volume is its transparency. Throughout, in new, rewritten and republished pieces, you can see Godfrey’s questing and questioning mind latching onto a subject for which he has a deep affinity, learning as much as he can about it—by pondering the works themselves, talking to their creators, and absorbing the culture that birthed the scene—and then figuring out a way to transmit his enthusiasm to the widest American audience possible.”—Matt Zoller Seitz “I admire Godfrey for his strong support of Iranian cinema and his efforts to introduce Iranian films to American audiences. Although movies are shown by distributors and exhibitors, it’s really the critics who bring the audience. Godfrey’s reviews also help us in Iran by providing critical support against those who attempt to suppress us and keep us from working.”—Jafar Panahi, filmmaker.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084150116690,"sku":"AB6742","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB6742-In-The-Time-Of-Kiarostami-_201.jpg?v=1792352719"},{"product_id":"le-depays","title":"Le Depays","description":"This is the first English language edition of Chris Marker’s 1982 photo-essay, Le Dépays. Lovingly adapted from the original design, it features Marker’s own translation astride some of his most exquisite, yet rarely seen, black-and-white photography. Realized over the same years as its film companion, Sans Soleil, the book traces similar themes—cats and owls and Japan—but without ever leaving Golden-Gai for Guinea-Bissau. Musing among department store maneki-neko and dreamers on the metro, wandering between Tokyo and no-place at all, this is nevertheless a unique glimpse of Marker feeling very much himself and quite at home; that is, delightfully disoriented.\r\n\r\n“Inventing Japan is just another way of getting to know it . . . Trust appearances, consciously confuse the decor with the drama, never worry about understanding, just be there—dasein—and everything will come your way. Well, something, at least . . .”—Chris Marker, from Le Dépays\r\n\r\nChris Marker, 1921–2012. Filmed, photographed, traveled, loved cats.\r\n\r\nWith a new introduction by writer and artist Sadie Rebecca Starnes.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084160536914,"sku":"AB7051","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7051-le-depays-chris-marker-1_5091d38a-4b4e-4af1-993b-cee6903390bb.jpg?v=1792376854"},{"product_id":"emblematic-elusions-eros-in-african-cinema-edition-i","title":"Emblematic Elusions: Eros in African Cinema – Edition I","description":"\u003cp\u003eEmblematic Elusions: Eros in African Cinema portrays how African filmmakers redefine the Black form in the visual field from the wounded signifier to an embodied vessel for liberation. Using an erotic lens, each editionpresents a film essay analyzing a significant Black African film.\u003c\/p\u003e\n\n\u003cp\u003eEdition I lays the foundation with Black African Cinema’s first feature, La Noire de…\/Black Girl (Ousmane Sembène, 1966). It highlights the complex and quite erotic postcolonial relationship between Africa and Europe. The chapbook begins by offering the history of early African filmmaking’s emergence in the wake of political liberation movements. Senegalese auteur Sembène conveys his anti-imperialist stance through embodiment with\u003cbr\u003e\nthe protagonist Diouana and her disillusionment for a better life in France. Scenes of subtle eroticism, including African cinema's first kiss scene, underscore the ongoing tensions and the search for self-actualization in a postcolonial context. Edition I surveys Sembène’s critique of the exoticization and objectification of the Black form; while delving into the deeply philosophical relation between eros and death.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084177477970,"sku":"AB7340","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7340-emblematic-elusions-1-03_b7cc5aba-ebdb-4233-955d-b98e4d7411b7.jpg?v=1792352193"},{"product_id":"breaking-cinema-cauleen-smith-experimental-film-2010-2023-by-romi-crawford","title":"Breaking Cinema: Cauleen Smith Experimental Film 2010–2023 by Romi Crawford","description":"\u003cp\u003eOperating in multiple materials and arenas, interdisciplinary artist Cauleen Smith (b. 1967) roots her work firmly within the discourse of mid-twentieth-century experimental film. Drawing from structuralism, moving images, and science fiction, she makes things that deploy the tactics of these disciplines while offering a phenomenological experience for spectators and participants. The book Breaking Cinema. Experimental Film 2010–2023, adds to the growing scholarship on Cauleen Smith’s work, as art historian Romi Crawford elucidates a critical phase of the artist’s career and how Smith recasts film history in the context of the artistic and cultural ferment of Chicago’s South Side.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084214341970,"sku":"AB7446","price":16.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7446-breaking-cinema-mousse-1.jpg?v=1792363522"},{"product_id":"emblematic-elusions-eros-in-african-cinema-edition-ii","title":"Emblematic Elusions: Eros in African Cinema – Edition II","description":"\u003cp\u003eEmblematic Elusions: Eros in African Cinema portrays how African filmmakers redefine the Black form in the visual field from the wounded signifier to an embodied vessel for liberation. Using an erotic lens, each edition presents a film essay analyzing a significant Black African film.\u003c\/p\u003e\n\n\u003cp\u003eEdition II Les Saignantes (2005) surveys how Jean-Pierre Bekolo futurizes, cinematically adapts, and therefore immortalizes the pre-colonial female ritual and society of mevungu. Power hierarchies are turned upside down by positioning the woman's erotic body as the healing vessel to the politically and sexually corrupt state. Afi refers to contemporary Cameroonian political historian Achille Mbembe’s theoretical frameworks to help us better read\u003cbr\u003e\nBlack African cinema’s sexy first sci-fi Les Saignantes. Edition II, in both form and content, explores the futuristic underbelly of Yaoundé through coined concepts of commandment, necropolitics, deathworlds, and jouissance.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084275781970,"sku":"AB7341","price":24.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7341-emblematic-elusions-2-03_6483aed4-6565-4e58-ac96-08e4b77d2f3b.jpg?v=1792346709"},{"product_id":"film-business","title":"Film Business","description":"\u003cp\u003eIntroduction by Richard Brody. Lillian Ross was a staff writer at The New Yorker for seven decades, and wrote on filmmakers regularly over the course of her extraordinary career. Beginning with “Come In, Lassie!”, a 1948 report on Hollywood’s reaction to HUAC through a 2001 visit to the set of Wes Anderson’s The Royal Tenenbaums, Ross covered the people who make the movies with singular insight and humor. Ross’ lengthiest pieces, about Otto Preminger fighting against the television broadcast of Anatomy of a Murder in 1966, and Francis Ford Coppola preparing for the release of One from the Heart in 1982, are legendary portraits of the larger than life personalities that Ross rendered human on the page. Also features pieces on: Akira Kurosawa, François Truffaut, Jean-Luc Godard, Oliver Stone, John Huston, Jacques Tati, Charles Chaplin, Mag Bodard, Alfred Hitchcock, Clint Eastwood, Federico Fellini, Anjelica Huston, Gene Kelly, Donald Shebib, and John Cassavetes, Ben Gazzara \u0026amp; Peter Falk \"The recognition, from early in her career, that the center of gravity in the world of movies is indeed the director puts Ross . . . at the forefront of film-centric writers of her generation. The pieces in Film Business reflect her attunement to the art of movies—an attunement that’s also something of a philosophy of life, as befits the work of a writer who, self-consciously approached nonfiction writing as an essentially literary, novelistic venture—and who made that discovery while working on her first major piece about movies.”—Richard Brody, from his Introduction. “While reporting a story, I find myself automatically translating what I see and hear into film-like scenes.”—Lillian Ross.\u003c\/p\u003e\n\u003cp\u003ePublished by Film Desk Books.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084421206354,"sku":"AB6865","price":25.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6865-film-business-03.jpg?v=1792360174"},{"product_id":"visto-y-no-visto-seen-and-unseen","title":"Visto y No visto - Seen and Unseen","description":"This book is not just a compilation of images; it is a window into the creative universe of an artist who transforms the everyday into something extraordinary. The works of Juan Gatti invite us to look beyond, to stop and focus on details, and to rediscover beauty.\r\nVisto y no visto brings together his most iconic graphic works, along with unpublished pieces that never reached the public. From posters that tell stories to designs that challenge norms, each creation bears Gatti’s unmistakable mark: bold, sensitive, and unique.\r\nIn these 320 pages, we celebrate an artist who has not only interpreted the visual culture of his time for decades but has also transformed it. A visual experience that transcends the pages and invites us to reflect on the impact of art in our lives. Works dating from 1986 to 2023. The Juan Gatti archive is now open to the public. In its pages, one can appreciate more than 40 years as the graphic designer chosen by Pedro Almodóvar, among others.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50962613207378,"sku":"AB8119","price":90.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8119-visto-y-no-visto-03.jpg?v=1792369903"},{"product_id":"hallelujah-now","title":"Hallelujah Now","description":"Filmmaker Terence Davies’s only published novel. Includes a selection of Davies’s original poetry, much of it never before published, along with an introduction by Michael Koresky and an afterword by James Dowling.\r\n“Hallelujah Now fearlessly uses the novel form to give voice to anxieties that might have been otherwise unportrayable. Many artists who work in other mediums carry literary aspirations; few pull it off with such provocation and undaunted individuality. Davies’s cinema had no comparison, it was a subgenre unto itself, and similarly Davies’s novel feels like nothing less than a pure emanation of the self, beholden to nothing and no one else.” —Michael Koresky, from his introduction.\r\nFrom Robert’s birth into a Catholic family in Liverpool, to his surreptitious sexual escapades and sadomasochistic fantasies, and his final, evocative journey to a nursing home, his life unfolds in a sensational and explicit stream of consciousness. Skillfully depicted in three sections, Hallelujah Now is a synthesis of memory, of vividly recaptured moments of childhood, of isolation, lust, and adventure. Time past and time present combine to paint a startling picture of a man fighting to accept his sexuality—and his mortality.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51264363725138,"sku":"AB8245","price":28.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8245-hallelujah-now-03_2d088c2a-878f-49fd-99a9-867347c07cb2.jpg?v=1792372011"},{"product_id":"the-hunger-film-writing-2012-2024","title":"The Hunger: Film Writing 2012–2024","description":"The Hunger assembles the best of Melissa Anderson’s film writing from, among other outlets, Bookforum, Artforum, the Village Voice, and 4Columns, where she has been the film editor and lead film critic since 2017. Including not only reviews of contemporary and older movies but also essays devoted to the work of a single performer (such as Candy Darling and Shelley Duvall), The Hunger showcases an exceptional voice in criticism—one that is queer but undoctrinaire, homophilic yet heterodox. The collection concludes with a wide-ranging discussion between Anderson and the critic and scholar Erika Balsom about the role of pleasure and sexuality in writing, assessing stardom in the 21st century, covering repertory cinema in New York City, and the exhilarations that the movies still provide.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51826011832658,"sku":"AB8381","price":23.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8381-the-hunger-03.jpg?v=1792373858"},{"product_id":"astromatograph-002-sliced-into-pieces","title":"Astromatograph 002: Sliced into pieces","description":"An investigation of the fragmentation and dissolution of self in cinema and in real life - with an emphasis on horror films. Brimming with contributions from psychoanalysts, filmmakers, writers and artists...this issue promises to help you get your mind back.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51878660538706,"sku":"AB8411","price":26.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8411-astromatograph-2-03.jpg?v=1792373910"},{"product_id":"a-rabbits-foot-issue-13","title":"A RABBIT'S FOOT - ISSUE 13","description":"\"The thirteenth issue of A Rabbit's Foot finally releases this December. \r\n \r\nIssue 13 is a celebration of TOMORROW in film, art, and culture, with an exclusive, highly-collectible cover featuring superstar Charli xcx—an embodiment of the artists shaping the future of the arts. The shoot itself celebrates Charli’s transition into cinema, placing her in the context of legendary screen sirens Monica Vitti and Jeanne Moreau. \r\n \r\nAs well as an intimate interview, where Charli discusses her film career—for the first time, she also publishes her own exclusive essay titled Death of the Cool. Here, Charli opens up about the thin line between commercial and cool in a genuinely sincere body of writing that features anecdotes on her hit album BRAT. \r\n \r\nThis specially curated edition covers the many forms of TOMORROW with profiles, essays, and exquisite unseen original photography. There are in-depth conversations with master filmmakers Park Chan-wook, Guillermo del Toro, and Mira Nair. We also catch up with Joachim Trier (director of Sentimental Value), his actors Renate Reinsve and Inga Ibsdotter Lilleaas, and meet rising star Akinola Davies Jr. We visit Yorgos Lanthimos collaborator Jerskin Fendrix at his Shrewsbury home and get to know Eva Victor—director of the critically-acclaimed Sorry, Baby. Painter Vanessa Garwood hosts us at her studio while Faye Wei Wei introduces readers to the next generation of artists worth knowing. \r\n \r\nThere are the well-researched and colourful long reads that A Rabbit's Foot is known for, looking at Tomorrow through the lens of futurism. One long-read, deeply researched story observes the roots of the Italian futurists and their controversial pasts, as well as an essay on how cinema has always been able to predict the future (starting with Kubrick’s 2001: A Space Odyssey). We dissect the importance of Ayn Rand, look into the future of classical music and get five author-approved pointers on the literature of tomorrow. \r\n \r\nAll of this comes together in a meticulously designed journal. \r\n \r\nFollowing the success of our previous editions, Issue 13 of A Rabbit’s Foot is once again designed with a unique and collectible foil cover in bronze, that contrasts with the elegant cover photography, and will appear stylish on any coffee table or bookshelf.\r\n \"","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":52228429939026,"sku":"AB8492","price":20.0,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8492-Rabbit-Foot-13-03.jpg?v=1792373591"}],"url":"https:\/\/antennebooks.com\/collections\/film.oembed","provider":"Antenne Books","version":"1.0","type":"link"}