{"title":"Fiction and Theory","description":"","products":[{"product_id":"e-flux-index-3","title":"e-flux Index #3","description":"Published five times a year, e-flux Index recomposes content commissioned across e-flux’s Journal, Architecture, Criticism, Education, and Notes platforms, organizing texts thematically to draw out today’s most vital strains of inquiry. Following the success of the first two issues, Index #3 features e-flux’s commissioned pieces from April–May 2024. It includes 76 authors, artists, architects, filmmakers, and educators, organized according to eleven thematic sections.\r\n\r\nFlatlands of the Mind explores \"mnemotechnics,\" or the technology of remembering in a forgetful era. \r\nTwenty Thousand Blinks meanwhile addresses the saturation of contemporary imagery, and reflects on the state of photography, moving images, and appropriation art. \r\nWoman, Life, Freedom and Jina, the Moment of No Return breaks with the combinatorial logic of the Index to present in toto the first English translations of feminist writings from the 2022 Jina Uprising in Iran. These texts, originally published in a guest-edited issue of e-flux Journal in April 2024 (#145), offer raw and powerful reflections on the feminist revolution sparked by the tragic death of Jina Mahsa Amini.\r\nCharacters in a Landscape explores the metabolic rifts of the climate crisis, from the curious origins of autotune in Exxon oil extraction to speculative essays on post-fossil fuel architecture. \r\nStructures that Want to Become Other Structures focuses on the role of primary and secondary notation. Diagrams, musical scores, performance scripts, sketches, jottings in the margin, and “notation in the expanded field,”\r\nFrom the [■■■■■] to the [■■■] responds to the current climate of cultural censorship surrounding Palestine, highlights the struggles faced by artists and activists protesting ongoing global conflicts. From coded artistic practices to the navigation of authoritarian speech conditions, these contributions explore the intersections of art, politics, and resistance.\r\nPlanetary Acupuncture borrows a term from the Future Foodscapes Research Unit to delve into selective interventions that can initiate cascading changes across systems, new modalities of reparative work.\r\nPulverized Histories confronts the lasting impacts of colonialism, imperialism, and expansionist wars. It features reviews of biennales that foreground marginalized artists and practices, and critical essays on the architectural legacies of colonial violence.\r\nOne Size Does Not Fit All explores the dangers of homogenization, from global food monocultures and architectural uniformity, to the process of decolonization underway  in contemporary art and the rhetorical maneuvers that can distort its aims.\r\nA Jacket with Reversible Lining  considers the potential for code-switching and the subversion of binaries in art and life. Contributions include portraits of artists navigating multiple identities and contexts, reflecting on the fluidity and complexity of contemporary existence.\r\n\r\nIndex #3 features contributions from:Kwabena Appeaning Addo, Kimberly Alidio, Shouka Alizadeh, Corina L. Apostol, Arnavaz, Aram, Andrius Arutiunian, Goli Baharan, Stephanie Bailey, Oliver Basciano, Merve Bedir, Silvia Benedito, Pietro Bianchi, Alessandro Bosetti, Arno Brandlhuber, Nathan Brown, Boris Buden, Harry Burke, Rocio Calzado, Matevž Čelik, Adeline Chia, Ted Chiang, Canada Choate, Jace Clayton, Kim Cordóva, Ana Dana Beroš, Dasgoharan, Miri Davidson, Nuzhan Didartalab, Travis Diehl, Brian Dillon, Maria Dimitrova, Ben Eastham, Ren Ebel, Elaheh, Ludwig Engel, Future Foodscapes Research Unit, Ghoncheh Ghavami, Olaf Grawert, Boris Groys, Maddie Hampton, Negar Hatami, Jörg Heiser, Sandi Hilal, Daisy Hildyard, Juan José Santos, Nicole Kams, Biljana Kašić, Tamta Khalvashi, Alina Kolar, Cat Kron, Agnieszka Kurant, Michał Libera, R.H. Lossin, Rômulo Moraes, Daniel Muzyczuk, Nahal Nikan, Tausif Noor, Bahar Noorizadeh, Alice Notley, Joe Osae-Addo, Parva, Octave Perrault, Alessandro Petti, Andreas Petrossiants, Filipa Ramos, Jacques Rancière, Robida, Aoife Rosenmeyer, Mika Savel, Debora Silverman, Daniel Spaulding, Jonas Staal, Kerstin Stakemeier, Ben Vida, McKenzie Wark, Katrina Wiberg, Kaelen Wilson-Goldie, Jenny Wu, Osman Can Yerebakan, and Vivian Ziherl","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084013506898,"sku":"AB7576","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7576-e-flux-issue-03-03.jpg?v=1768406626"},{"product_id":"sinkhole-three-crimes","title":"Sinkhole: Three Crimes","description":"\u003cp\u003eA novel in three parts, Sinkhole: Three Crimes submerges readers in a grotesque and comical world on the edge of collapse – much like our own. Britain is immersed in a toxic swamp, and sinkholes are opening up in the ground with alarming frequency. Amid the mayhem, three crimes take place: Stonehenge has been stolen, a porn-addicted ghost writer faces the phantoms of her past, and a murder takes place among ex-pats in a Goan village.\u003c\/p\u003e\n\u003cp\u003ePublished by Montez Press.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084022878546,"sku":"AB6624","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6624-sinkhole--three-crimes-rosanna-mclaughlin-01_38ca7112-9642-4644-8120-6e4de1df702e.jpg?v=1747143247"},{"product_id":"sillyboy","title":"Sillyboy","description":"\u003cp\u003eIt's 2015 in Bushwick Brooklyn: Sillyboi, an aspiring filmmaker, and Chloe, a tattoo artist, once madly in love and lust, are struggling.\u003c\/p\u003e \n\n\u003cp\u003ePeter Vack's debut novel, SILLYBOY, is a tragicomic dive into modern romantic dysfunction where jealousy, ambition, and Instagram threaten relationships, and the technologies we trust to validate us instead fuel our suspicion, humiliation, and ruin.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084037067090,"sku":"AB7317","price":11.95,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7317-sillyboy-1.jpg?v=1747143149"},{"product_id":"the-ginny-suite","title":"The Ginny Suite","description":"\u003cp\u003e'Information didn’t need to be remembered; it remembered her…'\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA mysterious global syndrome is affecting women, causing symptoms of submissiveness and aphasia. While the number of sufferers grows, so does our protagonist’s paranoia—of the media, her doctors, and her husband. In the age of misinformation, AI, and surveillance technology, The Ginny Suite asks how much—and who—we’re willing to sacrifice in the name of progress.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ginny Suite is formally innovative, a great read. Stacy Skolnik recasts the subject of the internet into telling particulars in her affecting choreography of memes\/screens\/women\/men. — Constance DeJong, author of Modern Love\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ginny Suite is a perfect hell of a book: a gossipy stylish mystery that’s both petty and profound. I love how its paranoias and insecurities tip lushly into plot: is the lyric condition of poetry a pathology? Is dissociation a radical response to the lived conditions of patriarchy, or is it patriarchy hacking your brain into submission? What if, instead of self-diagnosing through google, your search history was used to diagnose you, and form the basis of covert treatment? Anyone who’s ever suffered the malady of writing poems will recognise The Ginny Suite’s inability to stop picking these scabs. Its prose moves seamlessly from the lush to the blunt, awash with glitching pronouns, horny ennui, sci-fi intrigue and tender girlish digital fantasies—like if the author of Malina had a dormant Neopets account. I adored it. — Daisy Lafarge, author of Lovebug\u003c\/p\u003e\n\u003cp\u003ePublished by Montez Press.\u003c\/p\u003e\n\u003cp\u003ePerversely brilliant, fearlessly inventive, The Ginny Suite beautifully illustrates the horror of being a thinking person inside of a body and culture rushing toward the graveyard. — Brad Phillips, author of Essays and Fictions\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Ginny Suite proves that Stacy Skolnik is one of the most timely and original voices in post-pandemic New York. — Joshua Citarella, author of Politigram and the Post-left\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA Handmaid’s Tale for the Post-Truth-AI-Surveillance Era. — Suzanne Treister, author of Hexen 2.0\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eStacy Skolnik is the author of the poetry collection mrsblueeyes123.com (self-released, 2019), the chapbook Sparrows (Belladonna* Collaborative, 2023), the workbook From the Punitive to the Ludic: Prompts for Writing Public Apologies (with Thomas Laprade for Montez Press Radio, KAJE, 2022), and the chapbook Rat Park (with Katie Della-Valle, Montez Press, 2018). She is a co-founder and co-director of Montez Press Radio, the Lower East Side-based broadcast and performance platform. The Ginny Suite is her debut novel.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084042539346,"sku":"AB6864","price":15.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab6864-the-ginny-suite-montez-press-1_432985bb-b6e4-4850-b37a-4f095264ab26.jpg?v=1747143115"},{"product_id":"oliver-reed","title":"Oliver Reed","description":"In Hannah Regel’s brilliant collection, Oliver Reed, the figure of the horse becomes an object for language’s brutality and the all too familiar subjugation of women’s voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. ‘Kill the language. Kill it. Get the shovel. We’re making a belt.’ I would gladly do whatever she tells me to do and wouldn’t think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience.\r\n– Cassandra Troyan, author of Blacken Me Blacken Me, Growled\r\n\r\nRegel doesn’t really sound like anyone. Oliver Reed introduces a poetic sensibility that seems as at odds with convention as it is equal to the moment: fully formed, virtuosic, kind of lethal. These are pitiless, discomforting poems that explore our own creatureliness with a deadly curiosity. Each is a transformation: the actor becomes a strange muse and guiding presence, to ‘smoulder a mobile furnace’; the horse, another of the book’s recurring figures, becomes more than an emblem of eros, labour and suffering; the young girl’s bratty insolence turns defiant and stricken. The voice wills these changes into being even as she ‘wills herself barren’. As much as they trouble and seduce, the poems are also watchful, vigilant – they seem to offer a means of protection. Oliver Reed is an astonishing, masterful first book.\r\n– Sam Riviere, author of 81 Austerities\r\n\r\nThe second edition of Oliver Reed, published February 2024, includes a newly commissioned introduction by Olivia Kan-Sperling.\r\n\r\nIn Oliver Reed, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something—line break or literal incision—to break you in. Oliver Reed is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: “Sorry attends her Birth” after “Sorry is a Girl, Grown Up.” I wish I’d read Oliver Reed at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn’t, either.\r\n— Olivia Kan-Sperling, editor at The Paris Review and author of Island Time","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084043653458,"sku":"AB6623","price":14.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB6623-oliver-reed-hannah-regel-1.jpg?v=1760953467"},{"product_id":"the-champ-is-here","title":"The Champ is Here","description":"\u003cp\u003eNathan Dragon’s The Champ is Here is a loosely-linked collection that follows, with varying distance, an unnamed narrator, his dog and girlfriend or wife, from small American town to town. He tries on clothes in the mirror, drives by ladders hanging off bridges with his dog, surprises his “baby” with a roadtrip to Brown’s Lobster Pound.  When a woodpecker disappears from the narrator’s yard, the stakes become existential. Even just him preparing a meal for his love for when she comes home from work can take on evolutionary implications.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084063347026,"sku":"AB7320","price":12.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7320-the-champ-is-here-03_157926ac-ab7c-401f-9715-c4cfc534b31d.jpg?v=1747142993"},{"product_id":"e-flux-index-4","title":"e-flux Index #4","description":"Published five times a year, e-flux Index recomposes content commissioned across e-flux’s Journal, Architecture, Criticism, Education, and Notes platforms, organizing texts thematically to draw out today’s most vital strains of inquiry. Following the success of the first three issues, Index #4 features e-flux’s commissioned pieces from June–July 2024. It includes contribtuions from 68 authors, artists, architects, filmmakers, and educators, organized according to nine thematic sections or districts.\r\n\r\nThese districts are titled: Things We Don’t Understand, Fluid Subjects, Not Asking for a Trip to the Moon, Forty Good Evenings, Doomscrolling, The Age of the Amateur, Elephants Without Tusks, Levels of Control, and How to Measure Everything. \r\n\r\ne-flux Index#4 features contributions from Mal Ahern, Michelangelo Antonioni, Stephanie Bailey, Franco \"Bifo\" Berardi, Xenia Benivolski, Crystal Bennes, Tega Brain, Lukas Brasiskis, Dare Brawley, Ilya Budraitskis, Phil Chang, Changwen Chen, Nina Chkareuli-Mdivani, Kim Cordóva, Hugh Davies, Luce deLire, Irmgard Emmelhainz, Orit Gat, Boris Groys, Valérian Guillier, Ksenya Gurshtein, Jörg Heiser, Daisy Hildyard, Isabel Jacobs, Marianna Janowicz, Alexander Kluge, Alexi Kukuljevic, Michael Kurtz, Patrick Langley, Sam Lavigne, Max Levin, Isabel Ling, Chelsea Manning, Basim Magdy, Erin McElroy, John Douglas Millar, Shana Moulton, Novuyo Moyo, Chris Murtha, Benjamin Noys, Francisco Nunes, Lai Yi Ohlsen, Bami Oke, Mimi Ọnụọha, Sean O'Toole, Matteo Pasquinelli, Pier Paolo Pasolini, Agnieszka Polska, Filipa Ramos, Lucia Rebolino, Liara Roux, Janus Rose, Frank Ruda, Panu Savolainen, Bruce Schneier, Fanny Singer, Nikolay Smirnov, Murtaza Vali, Anton Vidokle, Wendy Vogel, Kate Wagner, Hindley Wang, Xin Wang, Yifan Wang, McKenzie Wark, Pramodha Weerasekera, Slavoj Žižek, and Alenka Zupančič.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084123705682,"sku":"AB7751","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7751-e-flux-index-04-03.jpg?v=1768406584"},{"product_id":"e-flux-index-2","title":"e-flux Index 2","description":"We are delighted to announce the publication of the second issue of e-flux Index, available in print and digitally here. Ranging from short articles and reviews of exhibitions, books, and films, to extensive interviews, long-form essays and commentary, the contents of e-flux Index #2 map the rich complexity of discourse in the arts and adjacent fields.\r\nPublished five times a year, e-flux Index recomposes content commissioned across e-flux’s Journal, Architecture, Criticism, Education, and Notes platforms, organizing texts thematically to draw out today’s most vital strains of inquiry. Index #2 features e-flux’s February-March 2024 editorial breadth, encompassing contributions from 74 authors, artists, architects, filmmakers, and educators. If summer is for reading, our 500+ page Index is a good place to start.\r\nThe Index #2 dawns with A Brand-New Day, in a section that watches the clock to parse the question of temporality in current artistic practice. It continues with Bad Circulation, which traces the figure of “circulation struggles” across a series of outwardly rippling concentric circles, from the circulation of militant texts for the Autonomists to the paradoxes of philanthrocapitalist “gifting.” Opening a window to ventilate the stale, dead air of the classical classroom, The Traveling of a Concept combines practical and theoretical approaches to radical and expanded pedagogy. In the next section, The Earth Is an Image, we zoom out, and further out still, to examine what gets made visible and what is occluded—as is devastatingly evoked by Oraib Toikan’s text on the “things the eye sees that the mind alone cannot decipher,” within the context of Israel’s genocidal occupation of the Gaza Strip and the West Bank. Leaving Without a Suitcase draws its title from a description of Ilya Kabakov’s famous “total installation” The Man Who Flew into Space from His Apartment, to gather together texts that examine the im\/permeability of nations and their thresholds, as well as the condition of (forced) exile such borders produce.\r\nThe Technocapitalist Gentry data-mines the fantasies, extracurricular pursuits, and downstream cultural impact of the capitalist class enriched beyond all hitherto known limits by the current AI tech boom. The Poetics of Relation meanwhile borrows its title from Édouard Glissant’s famous book, where he wrote of how “our boats are open, and we sail them for everyone.” The texts here open up onto horizons of intersubjectivity, hybridization, cosmopolitanism, and internationalism. We move in the next section from these open ideals into the exclusionary, xenophobic world of America’s Fox News Expanded Universe; in a compact selection of essays and discussions on modern or “late” fascisms and the forms of anti-fascism that seek to resist them. Transgenerational Witnessing meanwhile brings together pieces which interrogate the status of the home: not just a place to rest our heads or somewhere to securitise against outsiders (as for the denizens of the Fox News Expanded Universe), but often also a repository of memory which marks the ties binding generations together.\r\nThe penultimate section, “Anything can come after anything else …” (drawing its title from a skeptical remark against montage, from the dawn of film history) pools together pieces that play with and investigate montage, collage, listing, and other combinatorial pursuits in art, architecture, and literature. Index #2’s final section turns its lens upward toward the source of life-giving energy itself. Only the Sun Works moves from a review of a retranslated novel that deals with solar communism to the avant-garde solar imaginary of the Kabakovs. The issue draws to a close with Oxana Timofeeva squinting into the glare of the apocalypse and asking: “Is another end of the world possible?”","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084177903954,"sku":"AB7542","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7542-index-2-1.jpg?v=1768406672"},{"product_id":"heavy-traffic-5","title":"Heavy Traffic 5","description":"Latest issue of the acclaimed New York fiction magazine, featuring new writing from Mark Leckey, Reinier de Graaf, Amalia Ulman, Lynne Tillman, Bud Smith, Hannah Regel, Ada Antoinette, Mark von Schlegell, Claude Balls, Riska Seval, \u0026amp; Sarah Thomas. \r\n\r\nDesigned by Richard Turley. Edited by Patrick McGraw.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084258546002,"sku":"AB7575","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7575-heavy-traffic-5-03_940c39df-d0d9-4682-bcf6-19fa87acc898.jpg?v=1747141639"},{"product_id":"phone-plays","title":"Phone Plays","description":"\u003cp\u003ePhone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts. Intended to be performed live over the phone, Sam Cottington’s Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology. This collection of plays explore what critic Sianne Ngai has called the ‘gimmicks of production’: those moments when an object or person performs too much or too little; when it’s too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.\u003c\/p\u003e\n\u003cp\u003ePublished by Montez Press.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50084272996690,"sku":"AB7041","price":13.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/ab7041-phone-plays-sam-cottington-1.jpg?v=1747141581"},{"product_id":"glib","title":"GLIB","description":"\u003cp\u003eWinner of the 2025 Changes Book Prize, selected by Eileen Myles.\u003c\/p\u003e\n\u003cp\u003eAshley Escobar botanizes the parking lots of Bob's Big Boy, Cumbies, and Brick Oven Pizza, mining limestone quarries and plastic factories for material for her sparkling, knowing, and fast­-paced debut. Glib is flush with characters and cultural touchstones, other poets, novelists, musicians, directors. \"They are very crowded poems, there's lots of stuff but I don't get full;' Eileen Myles writes in their preface. Not sardonic, not moralizing, never jaded or didactic, sometimes tender, sometimes cutting, not indifferent but also not talcing it personally, Escobar's poems proceed by marking—usually without further remark, never forcing an insight or observation, just pointing out, glibly—the myriad contradictions, miracles, incoherences, and indignities that make up their world. And still, the nervy syntax and insouciant attitude give way to occasions of pure equipoise, as in the final moments of an eight-line poem that ends, simply, perfectly, \"I love being alive with you.\" \u003c\/p\u003e\n\u003cp\u003e\"The world we write is the world we live in,\" this book tells us. There is enough world in the poems that it hardly seems a stretch.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50342259261778,"sku":"AB7945","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB7945-glib-03.jpg?v=1747213999"},{"product_id":"e-flux-index-5","title":"e-flux Index #5","description":"e-flux Index is a quarterly print publication that sets out to untangle the mess of the contemporary. The Index is unique for its remit, bringing together art and film theory, philosophy, architecture, and criticism under the same publication. Each edition of the Index draws into dialogue commissioned essays, reviews, and articles drawn from the five separate sections of e-flux.com: e-flux Architecture, e-flux Criticism, e-flux Education, e-flux Journal, and e-flux Notes.\r\n \r\nNow entering its first year of publishing, Index #55 features all e-flux’s commissioned pieces from August–September 2024. It includes contributions from 61 authors, artists, architects, filmmakers, poets, and educators, organized according to a ‘deviant taxonomy’ of nine new categories. These are titled: Is That All There Is?; What a Body Can Do; The Physicists’ Laugh; Dens, clubs, hives, and cells; The Tourist; Flickers; Promethean Shame; Proxies; and Inextinguishable Fires.\r\n \r\ne-flux Index#5 features contributions from: Rouzbeh Akhbari, Sanna Almajedi, Étienne Balibar, Rend Beiruti, Xenia Benivolski, Daniel Birnbaum, Hunter Bolin, Nathan Brown, Harry Burke, Luis Camnitzer, Mark Cinkevich, María Iñigo Clavo, Maya Deren, Jacob Dreyer, Anna Engelhardt, Solveig Font, Kenny Fries, Coco Fusco, Orit Gat, Leo Goldsmith, Ana María Gómez López, Andrea González Garrán, Boris Groys, Lauren van Haaften-Schick, Barbara Hammer, Dehlia Hannah, Isobel Harbison, Jörg Heiser, Yuk Hui, Kateryna Iakovlenko, Celia Irina González, Juan José Santos, Aubrey Knox, Hamlet Lavastida, Debra Lennard, Sophie Lewis, Julio Llópiz Casal, R.H. Lossin, Vijay Masharani, Azadeh Mashayekhi, Naeem Mohaiemen, Yanelys Nuñez Leyva, Hans Ulrich Obrist, Trevor Paglen, Furqat Palvan-Zade, Artavazd Peleshyan, Sol Pérez-Martinez, Precarious Workers Brigade, Irit Rogoff, Mila Samdub, Stephanie Sherman, Henk Slager, Jonas Staal, Bernard Stiegler, Thotti, Ina Valkanova, Elena Vogman, Pramodha Weerasekera, Evan Calder Williams, Virginia Woolf, Gary Zhexi Zhang","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50351116255570,"sku":"AB7951","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB7951-index-5-04_f5622b0a-aeb8-46d3-a6dc-465d65f90f99.jpg?v=1768406546"},{"product_id":"heavy-traffic-6","title":"Heavy Traffic Issue 6","description":"\u003cp\u003eLatest issue of the acclaimed New York fiction magazine, featuring new writing from Ralph Bakshi, Ottessa Moshfegh, Rachel Kushner, Dean Kissick, Jordan Castro, Zans Brady Krohn, Cara Schacter, Patrick McGraw, Charles Clateman, \u0026amp; Johanna Stone. Designed by Richard Turley. Edited by Patrick McGraw.\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50704903930194,"sku":"AB8055","price":20.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8055-heavy-traffic-06-03.jpg?v=1750694519"},{"product_id":"the-interjection-calendar-010","title":"The Interjection Calendar 010","description":"\u003cp\u003eEdited by: Rhea Dillon\u003c\/p\u003e\n\u003cp\u003eContributors: Mayra A.Rodríguez Castro, raphaëlle red, Oisín Roberts, Issy Wood, Tiana Reid, Taha Afefe, Octavia Bürgel, Ladin Awad, Abiba Coulibaly, Ryan C. Clarke, Yi Wei and Cheryl Clarke\u003c\/p\u003e\n\u003cp\u003eMontez Press is very pleased to present The Interjection Calendar 010, celebrating a decade of artist-led contributions, guest edited by Rhea Dillon. The Interjection Calendar is a project devised and hosted by Montez Press. Each month an artist or writer is commissioned to produce a new piece of work for release on our website. At the end of the year the collection is published, demonstrating a diverse range of collaborations and experimental works, mapping the year in contemporary art writing, with equal space held for the emerging and the established. The Calendar reflects the current importance of online content media, pushing the relationship between image and text in this domain. \u2028From the Editor’s Note by Rhea Dillon:\u2028In editing there is no space. A lack of space due to the length of a piece. A lack of space due to time with the piece. And, a lack of space to hide from the reality of those outside of yourself. How do you learn to be in between first-person desire and third-person reception? Secondness, perhaps. Secondary, absolutely.\u2028\u2028All I know is that a mirror makes a reflection,\u2028and\u2028a reflection makes a symbol, and mine\u2028looks like a spade.\u2028A Mirror, A Symbol; A Spade\u003c\/p\u003e","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50760073511250,"sku":"AB8070","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8070-The-Interjection-Calendar-10-03.jpg?v=1748960656"},{"product_id":"the-whitney-review-issue-5","title":"THE WHITNEY REVIEW Issue 5","description":"The Whitney Review of New Writing is expanding literary criticism. Bringing together author interviews, literary essays, and short- format book reviews, it offer an interdisciplinary perspective on the culture of reading and writing. 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Writing in all forms - this small-press poetry to celebrity memoir to advertising copy - is examined with wit, intelligence and originality.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":50812543205714,"sku":"AB8085","price":10.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8085-03.jpg?v=1752771072"},{"product_id":"e-flux-index-6","title":"e-flux Index #6","description":"e-flux Index is a quarterly print publication of a thousand things. The Index is unique for its remit, bringing together art and film theory, philosophy, architecture, and criticism under the same publication. Each edition of the Index draws into dialogue commissioned essays, reviews, and articles drawn from the five separate sections of e-flux.com: e-flux Architecture, e-flux Criticism, e-flux Education, e-flux Journal, and e-flux Notes.\r\n \r\nIndex# 65 features all e-flux’s commissioned pieces from October–November 2024. It includes contributions from 82 authors, artists, architects, filmmakers, poets, and educators, organized into eleven thematic digressions that index the arts. These are titled How We Take Things Apart; The Abracadabra of Flesh; Bulwarks Against Forgetting; Pictures on the rocks for our dreams to carry; Strangers in the Village; And Then Came the Environment; A World of Statues; Infrastructures of Dependency; Off-Script; Barbed Wire Rusts; and the Sound of Your World Collapsing. \r\n\r\n e-flux Index #6 features contributions from: Katherine C.M. 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This collection brings together six seminal works of British alternative feminist and women’s theatre from the archive, with a contextual introductory text by Dr. Susan Croft, co-founder of Unfinished Histories.\r\n\r\nThe play texts included are: Vagina Rex and the Gas Oven by Jane Arden (1969), Go West Young Woman by Pam Gems (1974), Ophelia by Melissa Murray (1979), Minutes by Hesitate \u0026amp; Demonstrate (1979), Room by Natasha Morgan (1981) and The Wind of Change by Winsome Pinnock (1987).\r\nFounded in 2007 by Susan Croft and Jessica Higgs, Unfinished Histories is a project to gather the oral histories and preserve the archive of the vital alternative theatre movement in Britain from around 1968 to the early 90s. It shares information gathered through its extensive website www.unfinishedhistories.com as well as through exhibitions, discussions, newsletters, readings and publications, and seeks to encourage new work inspired by this history. From 2023 to 2026 Unfinished Histories is working with London Performance Studios on the project FYFFI: Fifty Years of the Fight for Inclusion.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51174597067090,"sku":"AB8197","price":40.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8197-radical-redescoveries-03.jpg?v=1754322132"},{"product_id":"season-of-the-rat","title":"Season of the Rat","description":"In Los Angeles, a rat skitters across a woman's roof and into her psyche, prompting an\r\nobsessive investigation of her lost memories, a forgotten history of gay bars and group\r\nsex, socialist colonies and rent, rape and the transgression of true romance. From the\r\nauthor of the cult classic, I Have Devoted My Life to the Clitoris, comes a mysterious\r\nmeditation steeped in sex and the high style of Hollywood noir: Elizabeth Hall's\r\nSEASON OF THE RAT","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51348172177746,"sku":"AB8259","price":11.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8259-season-of-the-rat-03.jpg?v=1762192385"},{"product_id":"e-flux-index-7","title":"e-flux Index #7","description":"e-flux Index is a quarterly print publication of a thousand things. The Index is unique for its remit, bringing together art and film\r\ntheory, philosophy, architecture, and criticism under the same publication. Each edition of the Index draws into dialogue\r\ncommissioned essays, reviews, and articles drawn from the five separate sections of e-flux.com: e-flux Architecture, e-flux\r\nCriticism, e-flux Education, e-flux Journal, and e-flux Notes.\r\n \r\nThe seventh issue of e-flux Index features contributions from: Maria José de Abreu, Yin Aiwen, Tom Allen, Carmen\r\nAmengual, Agnes Arnold-Forster, Hallie Ayres, Stephanie Bailey, Beauty Studio, Daniel Belasco, Xenia Benivolski,\r\nCrystal Bennes, Franco \"Bifo\" Berardi, Pietro Bianchi, Daniella Brito, Mikael Brunila, Gaby Cepeda, Leslie Chapman,\r\nAdeline Chia, Le Corbusier, Max Crosbie-Jones, Amica Dall, Tom Denman, Jacob Dreyer, Travis Diehl, Maria Dimitrova,\r\nBrian Dillon, Ben Eastham, Ren Ebel, Sergei Eisenstein, Rainer Werner Fassbinder, Leopoldina Fortunati, Kenny Fries,\r\nOrit Gat, Alan Gilbert, Henry Giroux, Nilo Goldfarb, Jean-Pierre Gorin, Reinier de Graaf, Valeria Graziano, Max Grünberg,\r\nAlice Guy-Blaché, Thomas Allen Harris, Aslak Aamot Helm, Britta Hentschel, Jörg Heiser, Yuliia Holiuk, Ekalan Hou, Yuk\r\nHui, Kateryna Iakovlenko, Isabel Jacobs, Kseniia Kalmus, Tamta Khalvashi, Bilal Khbeiz, Krzysztof Kieślowski, Sabu\r\nKohso, Marci Kwon, Shigeko Kubota, Michael Kurtz, R.H. Lossin, Sven Lütticken, Kazimir Malevich, Ilan Manouach,\r\nMarcell Mars, Tomislav Medak, Mohamed Amer Meziane, Evan Moffitt, Stanislaus von Moos, Serubiri Moses, Charles\r\nTonderai Mudede, Michał Murawski, Luka Nakhutsrishvili, Musoke Nalwoga, Sean O'Toole, Andrii Palash, Tania\r\nPashynska, Alexei Penzin, Andreas Petrossiants, Sofia Pinedo-Padoch, Yvan Prkachin, Jason Read, Émilie Renard, Alex\r\nRetegan, Svetlana Romanova, Kristin Ross, Kateryna Rusetska, Juan José Santos, Danilo Scholz, Thotti, Nikolay\r\nSmirnov, Claire Staebler, Alina Stamenova, Pramodha Weerasekera, Mathilde Walker-Billaud, McKenzie Wark, Kaelen\r\nWilson-Goldie, Ada Wordsworth, Jenny Wu, Lydia Xynogala, Soyoung Yoon, Mi You, Yuliya Yurchenko, Innas Tsuroiya,\r\nDingxin Zhao, Yiren Zhao, and Slavoj Žižek.","brand":"Antenne Books","offers":[{"title":"Default Title","offer_id":51623818232146,"sku":"AB8323","price":22.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0822\/0062\/5490\/files\/AB8323-index-7-03_20f58df8-e2de-4f12-92c7-09ea5b48720e.jpg?v=1768406469"},{"product_id":"the-whitney-review-issue-6","title":"THE WHITNEY REVIEW Issue 6","description":"The Whitney Review of New Writing is expanding literary criticism. 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