All

Erwin Wurm

Self-Portrait as 47 Pickles

Jan Hoek

My Maasai

Anna Gohmert

Learning to Die

Jean Cramatte

Culs de ferme

Vincen Beeckman, OpStap, Colin Pantall, Lien Van Leemput

BIRDS OF A FEATHER

Christopher Turner, Christopher Turner, Ella Kilgallon, Julie Marsh

British Mosques

Kilminik

Photographs

Rita Lino

Replica

Monster Chetwynd

The Supreme Deluxe Essential Monster Chetwynd Handbook

Nico Krebs

FUTURE MEMORIES

Darius Koehli

WHY OMAHA?

David Jablonowski

Tools and Orientations

Andreas Dobler

St.Elsewhere

Muhammad Fadli

Rebel Riders

Air Antwerp

The Cabinet of Traces

Dominique Somers

00A

Óscar Monzón

ORDER

Antoine d'Agata

Fleurs du Mal

Philippe Jarrigeon

PLAY

Sébastien Reuzé

Colorblind Sands

Jan Hoek

New ways of photographing the New Masai

Mousse Publishing

The Assistants

Andrew Miksys

BINGO

Paris Rave Flyers 1991-1994

Detroit Rave Flyers 1993 - 1999

Ronny Heiremans, Ronny Heiremans, Heike Langsdorf, Stijn Dorpe, Clémentine Vaultier, Katleen Vermeir, Clementine Vaultier, Katleen Vermeir

The Orphans of Tar – A Speculative Opera

Haydée Touitou, Haydee Touitou

We Have Been Meaning To

Helena Kraan

Still Life

Georgia Pendleburry, Georgia Pendleburry

MUD 1 2 3 4

Saskia Groneberg

Büropflanze (office plant)

Giuseppe Gabellone

Giuseppe Gabellone

Duran Lantink, Duran Lantink, SistaazHood

Sistaaz of the Castle

Marie Lund

Drums

Kuba Ryniewicz

The Daily Weeding

1017-ALYX-9SM

Preparation F20

Petra Feriancová

Index

Cezary Bodzianowski

This Place is Called the Hole

Schumacher, Eric Schumacher, Andrea Clavadetscher

Luftbad

Debby Huysmans

Late Spring

Inside Embassies

Daniel Dewaele

Selected Projects

The Perfect Document

Flup Marinus

Belgisch Congo Belge

Raimundas Malasauskas

After the Midst

Charlotte Lybeer

Epidermis II

Matt Leines

Vignettes From The Zenith City Archives

Lotte Renn

JAUNT

Stephanie Kiwitt

Four Oranges, Some Office Buildings, Woman’s Legs