Books

Julie Bena

Fantasy

Mae Dessauvage

The Dollhouse

Junpei Satyapan

Czerny’s Symposium #001: Kodoku, 2025

Radical Rediscoveries: Performance Texts from the Women’s Theatre Movement 1969-1987

Kaur Alia Ahmed

Cursive Paradise

James Perolls

Decaying with the speed of spring

Lara Mimosa Montes

The Time of the Novel

Matt Copson

Sob Story

THE KNIGHT, THE PRINCESS AND THE GOOSE

Stefanie Leinhos

Portrait of the Artist as a Writer

Amalia Ulman

The German Teacher

Gritli – the Moth Diaries, A Mistake has been made about Heartbreak

Gritli – the Moth Diaries, A Mistake has been made about Wildness

Amber Later

Special Moss

Flora Reznik

Script for a Synthetic Play 2

Alisha Mascarenhas

A Catalogue of Risk

Erin Honeycutt, a.Monti, T. Morgan

WOMANWOOD: THE SMUT GAZETTE #1

Nathan Dragon

The Champ is Here

Leonie Brandner

Three Becomes Two Becomes One Becomes None

Fred Vermorel

The Secret History Of Kate Bush

Ilaria Marotta, Andrea Baccin

CURA.43: Coming of Age

Bruno Zhu

The September Issue

Laura Marie Marciano

Opening Ceremony

Kawai Shen, Whitney Mallett

Missionary / Deliverance

Max Brett

The Consequences

Candystore

Further From Heaven

Dreams

Peter Vack

Sillyboy

Unica Zürn

Katrin: The Tale of a Young Writer

Ilaria Marotta, Andrea Baccin

CURA.42 We Monsters

Frankie Barnet

Kim: A Novel Idea

Sam Cottington

Phone Plays

Joanne Masding

Body of Pieces

A Criticism Review

Susan van Veen, Simona Koutná

Of Dogs and Daughters

Juho Taavitsainen, Sakari Tervo

Farewell, Claw!

Stacy Skolnik

The Ginny Suite

ein prozess

Jayson Keery

The Choice Is Real

Bob Nickas

Corrected Proofs, Previously Unpublished, Uncollected, Unwanted

John Baldessari

Two Kids, One Grown-up

Script for a Synthetic Play

Detective Elchmanyahu’s auto-da-fe

The Best American Book of the 20th Century*

It Had Something To Do With The Telling of Time

Book A or Megacolon or For & Against Language

Sinkhole: Three Crimes

This Is Not a Memoir