CURA.45 Blackout
"Blackout is a glitch, a moment of rupture, riot, and rebellion; a cognitive tilt that disrupts the
network of understanding—the very possibility of connection, communication, and control.
Blackout is an anomaly in the system: a suspended time, a crack that can signal madness, or
freedom. It is a failure—technical, structural, mental. A rupture, an omission, an interruption. It is
both silence and noise. It is ghosting, dissent, shock, ubiquity. A setback in the acceleration of
history. A riotous, anti-systemic, revolutionary state. Are we, now, living in the blackout of history?
Spanning over 400 pages, with a refreshed logo and graphic identity, designed by Dan Solbach,
CURA. 45 Blackout presents two portrait covers featuring Nadya Tolokonnikova and R.I.P.
Germain, photographed by Tsarina Merrin, and accompanied by a third, all-black limited edition
“blackout” cover. Texts by Cat Kron and Jennifer Piejko accompany Nadya Tolokonnikova’s
feature, while Josephine Pryde writes about R.I.P. Germain. A major visual section features newly
commissioned projects by Petra Cortright, Sophia Al-Maria, R.I.P. Germain, Aleksandra
Domanović (introduced by Brian Droitcour), alongside a gif-novel by Dennis Cooper that
collects and assembles some of the internet’s most unsettling images.
Furthermore Philippa Snow explores the theme of violence in contemporary art, with an essay
featuring the works of Marina Abramović, Florentina Holzinger, and Jordan Wolfson; Charlie
Fox engages in a compelling conversation with Banks Violette, delving into the artist’s career, a
long and sinister romance with darkness in all its forms; the new Artist+Artist section pairs artists in
dialogue, comparing their work, thoughts, and inspirations through their own words. This edition
features dialogues between Simon Denny and Hito Steyerl, and Cory Arcangel with Maya Man.
A special project by Diego Marcon disrupts the editorial rhythm, introducing a suspended, parallel
narrative that runs through the pages of the issue. A series of critical essays highlight the work of
Jacolby Satterwhite introduced by Andrew Durbin, Danielle Brathwaite-Shirley by Giulia
Colletti, and LuYang by Sophie Guo. Florentina Holzinger, one of the most disrupting artists of
her generation, is introduced by the words of Francesca Gavin. The New Now section features
emerging voices in contemporary art, through the work of Candela Capitán introduced by Günseli
Yalcinkaya, Steffani Jemison by Camille Bacon, and Charmaine Poh by Jiaying Sim.
Editors-In-Chief: Ilaria Marotta, Andrea Baccin
The Blackout issue is accompanied by a special soundtrack mixed for the occasion by UF1980.
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