Books

Nathan Dragon

The Champ is Here

Pope L

HOSPITAL

Rebecca Ackroyd

Period Drama

Samia Henni

Colonial Toxicity

Rhea Anastas

Adrian Piper: Performing Objects I Have Been, 1972-2018

Frédérique Bergholtz, Vivian Ziherl

Guy de Cointet's Five Sisters

Vanessa Desclaux

Matt Mullican's Pure Projection Landscapes

Jonathan Hollingsworth

Call Me Timothée

Harrison Marshall

Off the Shelf, Issue 1 ‘Illustration Talks’

Eliot Nasrallah

Les yeux fermés

Michael Swann

Noema

Charlie Hay

No One Left to Blame

Prepositions

Toby Mott

Prelude: Transgression In The UK

Toby Mott

Kraftwerk: Dance Forever

Tim Coghlan

930 Vol. 01: Concealed Identity

Jurgen Maelfeyt

TOY

Masanao Hirayama

Brancusi

Masanao Hirayama

Matisse

Jonathan Ellery, Tim Coghlan

Immortal Tribes

Abbie Vickress, Laura Parke

imperfect index

Alan W. Moore

Art Worker

Susanne Altmann

When Technology Was Female

LAURA LEAL

APRICOT POODLE

Sandro Fischli, Peter Preissle

Max Wiederkehr – Konkret on Acid

Valensia Harumi Edgina

DINING TABLES OF INDONESIA

Can Can Friends 4

One Print To Find Comrades

Jackie Crespo

Make A Wish!

Simao Simoes

Slight

Regina Barragán

The Feeling of Spiral

Antoine Orand

Hauteville

Dunja Jankovic

Stubborn Structures Zine

Gabino Azuela

Fantasías Llaneras

Emilia García

No More Internet, Just Dreams!

Athen Kardashian, Nina Mhach Durban

Hopelessly Devoted

Ola Korbańska, Laura Savina

Recipes of IZBA

Alehsy Lambo

Everyday

e-flux Index #4

Lichen NYC

Our Floors Are Uneven

Sara J. Winston

Foibles & Avoidance

Saad Khan

American War Propaganda Leaflets

Hakeem Akhtar

HOMOSEXUAL DESIRES IN MADRASSAS

Khurshid Alam

TRUE COLORS OF FILMIC FAIRIES

Grow It, Show It! A Look at Hair from Diane Arbus to TikTok

Bruce Nauman

ON/WITH

Rose English

Begin Suddenly in Splendour

Sophio Medoidze

Bastard Sun